The Marriage of Figaro at The Palace Theatre FARCE has never sounded so good . . .

Anyone apprehensive about going to an opera need not fear. Opera elitist? Not where Mozart's Marriage of Figaro is concerned.

This is classic farce and the delight of the Palace's audience seemed to be matched only by the obvious enjoyment of the young Opera North cast.

The story is a classic twist of mischievous pranks. The Count is bored with his Countess. His servant Figaro is due to marry his love Susannah. The Count wants Susannah and the formidable Marcellina has claims on Figaro. Young Cherubino has a crush on the Countess, but she wants her husband back . . . Confused? You won't be after watching this tale of devious plotting and revenge.

For a first opera this is perfect. Not only is it light and fast moving, but in English too.

However, what brings this particular production to life is its lively cast. Mary Hegarty bubbles over with energy and mischief, while the Count played by Roderick Williams is full of personality and fun. Both are matched by the energy of Richard Whitehouse as Figaro and Janis Kelly as the Countess.

Voices are as always faultless as ever and the music delightful.

Costumes are good and lighting effective, but the basic scenery is far from lavish.

Audiences should take note - this series of shows starts 15 minutes early and last night droves of people took their seats after the first act, having arrived slightly late.

This is to accommodate the three hours plus of the show - which last night flew by.

Tonight (and on Saturday) Opera North performs Madame Butterfly, tomorrow it is Iphigenia in Aulis, and Friday the company takes to the stage with Wozzeck. BEVERLY GREENBERG

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