HUMOUR and clever acting lighten this somewhat wordy play, adapted (freely as the publicity proclaims ) by Tony Kushner from Corneille's L'Illusion Comique.

The illusion is brought about when a father seeks to find his estranged son and much of the comedy comes from Helen Schlesinger as a wily maidservant.

Like others of the actors, Schlesinger trebles up in her roles. But throughout she is uncannily like Jennifer Saunders of Absolutely Fabulous fame.

Which brings us neatly to Julia Sawalha, Saffron in that series, who is at ease in her roles of two rich daughters and one deceived wife.

As Matamore, the lunatic, Ian Bartholomew contributes some stylised comedy too.

All is confusion. But mystification is an essential part of the grand deception perpetuated by the magician Alcandre - a strong performance by Richard Moore.

Peter De Jersey as the son and the lovers is well cast in his roles and Trevor Baxter is a suitable crusty father who has driven away his child.

Designer Stephen Brimson Lewis has devised an effective set. And although the "magic" is basic, it is no less effective for that. A magnificent frieze contrasts with the gloomy cave where the action takes place. Costumes are excellent.

Haunting music by Paddy Cunneen, played by saxophonist Rob Buckland adds to the unreal atmosphere.

Director Matthew Lloyd ensures the actors use the stage well and he keeps things moving at such a pace that although the play is awash with words, the audience has plenty to look at as well. But despite the best efforts of everyone, I found my attention wandering sometimes.

The final act exposes Corneille's mischievousness and reveals the extent of the illusion. DOREEN CROWTHER

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