Bolton Symphony Orchestra and Opera 74

Albert Halls, Bolton. THIS sell-out concert celebrated the 100th anniversary of the death of Johann Strauss Jnr so, not surprisingly, much of the music was in waltz time. Bolton Symphony Orchestra were on top form. The town may be justly proud of this fine group of musicians who, under the baton of their inspirational conductor, Paul Payton, play better every time I hear them. Payton so clearly enjoys what he is doing that he infects the players and audience with his enthusiasm. At one stage he seemed to be almost dancing along with the music.

Opera 74's chorus and principals set and maintained a high level of singing giving polished performances throughout the evening.

Much of the performance was devoted to music from Die Fledermaus. The programme started with the overture from that opera and frequently returned to this popular Strauss work.

Alan Roscoe, Ann Haslam and Jane Hyde sang a slyly funny version of How Sad We are and Adrian Pollitt and Kathryn Bleasdale complemented each other perfectly in Here's to Love. Tchaikovsky's Waltz of the Flowers was beautifully played by the BSO and this was followed by the superb Roses from the South.

Alan Roscoe picked up the baton to conduct the Opera 74 chorus in an evocative rendering of a vocal version of the Blue Danube.

The Laughing Song from Die Fledermaus featuring Clare Unsworth was splendidly performed and the chorus and principals were on top form for Brother Mine.

The popular Champagne was delivered with gusto and reprised for the finale with party poppers adding to the festive atmosphere.

John Matthias was a witty and amusing compere and had unearthed some fascinating anecdotes about the Strauss family.

This was an uplifting and enjoyable evening which gave a flavour of what the BSO and Opera 74 can do. Both groups deserve full houses every time they perform. By Doreen Crowther

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